导航
首页 » 科幻片 » 造物的奇迹
造物的奇迹

造物的奇迹

主演:
             ö                      
备注:
已完结
扩展:
科幻 纪录片 
点击:
49342
地区:
其它
导演:
Hanns Walter Kornblum 
年代:
1925 
更新:
2025-09-24
语言:
其它
剧情:
ö 详细
暴风资源-电脑手机播放-无法播放换线路
猜你喜欢
  • 后天

    丹尼斯·奎德,杰克·吉伦哈尔,埃米·罗森,达什·米霍克,杰伊·桑德斯,雪拉·渥德,奥斯汀·尼可斯,阿尔杰·史密斯,富田谭玲,萨沙·罗伊茨,伊安·霍姆,肯尼斯·威尔什,罗宾·威尔科克,贾森·布利克,肯尼思·莫斯科,蒂姆·滨口,格伦·普拉默,艾德里安·莱斯特,理查德·麦克米伦,内斯特·塞拉诺,克里斯·布里顿,瓦拉斯塔·瓦拉纳,保利娜·利特尔,艾伦·福西特,霍华德·比莱尔曼,约翰·麦克拉伦,理查德·泽曼,佩里·金,弗兰克·方丹,米米·库兹克,维塔利·马卡罗夫,罗素·袁,蒂姆·巴格来,查克·沙曼塔,菲利普·贾勒特

  • 变种狂蜥

    张玉轩,庞勇,王子清,彭海洋

  • 不死之人

    安东·迪夫伦,哈泽尔·考特,克里斯托弗·李

  • 荒野巨兽

    张天怡,熊怡,简叶,戴洱滨

  • 超能力者

    姜栋元,高修,郑恩彩

  • 环太平洋

    查理·汉纳姆,菊地凛子,伊德里斯·艾尔巴,查理·戴,朗·普尔曼,罗伯特·卡辛斯基,马克斯·马蒂尼,伯恩·戈曼,小克利夫顿·克林斯,芦田爱菜,迪亚哥·克莱特霍夫,希瑟·多克森,罗伯特·梅耶,刘智福,刘智满,刘智堂

《造物的奇迹》剧情简介
Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.  In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.  The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.